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It's only because the village is so small and secluded that everyone's faults seen to become so clear.This movie shows the determination of people trying to become independent as most are sick of the ways of the old and are looking for a source of output but unfortunately they are told repeatedly what they are doing is wrong in God's eyes.She steals to get away from the abuse she suffers at the hands of her husband.
Soon after the north wind called Vianne we see her talking, as she is packing her suitcase, to the urn as if her mother was still alive: "Of course ... Middle When asked about her absence from the village he tries to hide the truth, only later on in the film does he gain independence when he submits to the chocolate and accepts that the old ways of life are not always the best.
With this we meet Josephine, in church, stealing a mirror out of a person's purse. She is illustrated as being a messy and over protected woman in her thirties.
The movie brings into view many different lives and also their stories.
As extreme as they might appear, it is not that different and secluded from the society we live in now.
We encounter Vianne in the midst of repeating this cycle beat by beat with Anouk. Vianne’s chocolate is an analogy for so many things — Neo’s red pill, the role of grace against justice, a reconnection with our emotional and/or spiritual bodies. Which is what I think makes this film so innocuously subversive, even today.
And Vianne, equipped on both her father and mother’s side with powerful ancestral knowledge and experience, is a true master of her craft. Like the sunshine outwitting the north wind, Vianne seduces soul weary customers with dog treats, and kindness, and with hot chocolate that reminds her crusty old landlady (perhaps Judi Dench’s best role) of her sensuous youth. Like the ayahuasca or amunita muscaria infused urine shamans of old have given their people as doors to emotional and spiritual healing, chocolate is Vianne’s chemical catalyst. Vianne is beyond reluctant to talk about herself, to the point where she avoids telling Anouk the bedtime story about Vianne’s mother and father.
I find it endlessly delightful and appropriate that this film’s shaman is, of course, a woman: the chocolatier-apothecary Vianne played to effortless perfection by an ageless looking Juliet Binoche.
And her drug — her psychadelic enlightenment lubricator of choice: the deliciously benign chocolate.
Yes, she stands out like a sore thumb in the sleepy town which values its tranquility so much. doesn’t beat around the bush about Vianne’s origins and fated purpose.
But to our modern sensibilities, she’s beyond benign. But below the surface, the stuff her character is peddling is every bit as subversive to our modern sensibilities as it is to the characters in the film. The narrator (Vianne’s daughter Anouk) tells us, as told by Vianne, how Vianne’s mother was a South American healer from a tribe of wanderers, who traveled from town to town teaching their healing arts, never staying in one place too long. His young wife soon left him, taking his daughter Vianne with him, sent by the relentless North Wind to carry out her role as a healer. Because that’s what her skills have fated her to do.